For over a year now, the problem of art and the internet is beginning to be reconciled. When Dean Kissick said the American pavilion at the Venice Biennale should have been simply a Milady, he wasn’t kidding.
Milady is a very deep iceberg, and if one were to make a chart “Explaining Milady”, at the top would sit its mere visual image, but at the bottom of the iceberg we would find the occult truth: Milady is a summoned egregore nursed from infancy into a network phenomenon.